Monday, May 13, 2019

A Muted Parade




I went walking in the fog of morning before morning. A voice told me to look for living things or — finding no living things — look for pieces of living things, parts of their bodies and body loves. Of course, the trees were all alive. The children below the trees, ferns and weeds, they are alive. Green spurning things. I saw a dragonfly wing. Glinting on the asphalt. A desperate iridescence signaling. Everything was wet with dew as the inside of  a very old man’s wrist watch. One tall cold one. A black umbrella going  to a black car funeral somehow like an umbrella. The first birds called, then, to the space before time. It was black and weirdly swaying, dappled, blotched with holes like an old Super-8 film-leader. We were all on it.


A breeze through trees whispered it was only passing through and inhuman. The BLOCK PARENTS had died, but the yellow blocky sign was still in the window of their empty house. The photograph of this is of everything, that spirit of guardianship in photos taken for unknown reason. It floats like  a summer dirigible’s shadow on the nape. Time says things behind a photo’s back. That feel of father, wet beer kiss of yesteryear on a naked knee. Oh, it’s just the breeze again. You carry your father’s camera and inside the body the fog. The sense that hands are superfluous only leaves the body slowly, slowly as the morning, many hours and loops later.

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